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While this website has become known for its in-depth album and concert reviews, the digest contains concise comments on new music our audience has either recommended or might enjoy. Click on album covers or label names for links to further information. Click on the title to view the article.

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Méav Self-titled CD Cover
Image © 2000 Hearts Of Space

More Méav Ní Mhaolchatha
Interview and Photos (2007)
Interview and Photos (2002)
Silver Sea
 

(27 February 2000) The Irish choral group Anúna are well known for the soprano vocalists they have produced over the years—Eimear Quinn won Eurovision with "The Voice" in 1996. Méav Ni Mhaolchatha—also from Anúna—gained international attention with the group as a featured soloist performing in the London and US productions of Riverdance and on their albums. Eimear and Méav are the dominant soloists on Omnis and are the two women in the centre of this 1996 Anúna photo. Entitled Méav (Hearts O' Space (USA) 11098-2, 2000), her debut album reveals an effortless mastery of Celtic and classical pieces, traditional songs and early music. Méav's crystalline soprano voice is perfectly accompanied by contemporary and elegant instrumental arrangements.

The album's repertoire consists of twelve relatively well-known compositions. "Ailein Duinn" (theme from the motion picture Rob Roy) originally performed by Capercaillie's (review) Karen Matheson is sung wonderfully and sensitively in Gaelic and backed with lovely instrumentation. The flute part is incredible. Méav's stunning soprano rendition of "I Dreamt I Dwelt In Marble Halls" originally written by Michael Balfe in 1843 for his opera The Bohemian Girl pales Enya's version on Shepherd Moons. David Downes' rich arrangement of "She Moved Through The Fair" with additional vocals and orchestra perfectly suits Méav's vocal performance. Mark Armstrong's arrangement of "I'm A Doun" with similar textures provides a contrast to Vanessa Mae's 1996 recording. The classic "Solveig's Song" was written by Greig in 1876. Méav writes about the calling vocalise within the track, "I love the ethereal wordless melody that forms its chorus." Crystalline solo vocals over light acoustic guitar and violin are joined by whistle in the Irish classic "I Wish My Love Was A Red, Red Rose" and by traditional drums and additional backing vocals in "Si do Mhaimeó í".

Méav's sublimely clear vocals dominate the modern ballad "Since You and I Were True" as well as in the traditional of "The Death of Queen Jane" written for the court of King Henry VII in the early 1500s. Listen for the harpsichord and the flute in the instrumental bridge. The sensitive vocals for the soft lullaby "Close Your Eyes" are accompanied by lovely violin and harp performances. A stunning a capella performance is used to introduce "One I Love"; vocals are lightly multi-tracked during the song's choruses and only the very slightest instrumentation backs it in parts. The album closes with the track "Celtic Prayer." Soaring vocals are combined with a grand instrumental arranged to passes the melody from instrument to instrument, certain to entrall a broad audiences.

You can order Méav's album via amazon.com here. Méav's self-titled debut is clearly one of the best heavenly vocal albums we have heard in a long time and with stunning crystalline vocal renditions of well-known compositions, it is worth a long distance journey and significant further exploration. Now released in the USA and other territories, it is definitely a must listen!

 
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